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CONFERENCE COMMITTEE

General Chair

Carolina Gustafsson, Stiftelsen Föremålsvård i Kiruna (Sweden)

Technical Program Chair

Todd Swanson, J. Paul Getty Trust (US)

Short Course Chairs

Laura Ramsey, Metropolitan Museum of Art (US)
Eryk Bunsch, Museum of King Jan III's Palace at Wilanow (Poland)

Local Arrangements Chairs

Eva Maria Valero Benito, University of Granada (Spain)
Miguel Angel Martinez Domingo, University of Granada (Spain)

AV Chair

Alexandre Leão, Universidade Federal de Minas Gerais (Brazil)

Past Chair

Robert Kastler, Museum of Modern Art (US)

Expand your Knowledge with Short Courses

ARCHIVING 2025 EDUCATIONAL PROGRAM

On this page

Explore Short Courses below by

New Courses
Hands-on Courses
Courses with a Demonstration Component

Time/Topic (see tab)
Topic and Level (see tab)
Short Courses by Length and Level (see tab)

Course Fees

New Courses

SC01 Camera Color Profiles: The Theory, Practice, and Pitfalls (David R Wyble, Gray Sky Imaging Inc., and Doug Peterson, Digital Transitions)
CANCELLED SC03 Conservation Imaging for the Larger GLAM Community: A Crash Course (Adam Neese, The Museum of Modern Art)
SC04 Imaging Performance: Meeting Guidelines for Digital Collections (Peter Burns, Burns Digital Imaging, and Don Williams, Image Science Associates)
SC05 Advanced Digital Imaging Techniques Applied to Cultural Heritage (Miguel Ángel Martínez Domingo, University of Granada)
CANCELLED SC06 The Fine Art of Documentation: Bridging Creative Lighting with Science (Tahnee L. Cracchiola and Rebecca Truszkowski, J. Paul Getty Trust)
CANCELLED SC07 Understanding, Measuring and Modelling Various Types of Color Degradation in Museum Collections: Fading, Darkening, Loss (Irina Ciortan and Yoko Arteaga, NTNU)
SC09 Archival Negatives: A Novel Toolkit for Historically-accurate Inversions (Alice Plutino and Luca Armellin, Imageese)
SC10 Reference Assets-Bridging the Gap Between 2D and 3D Imaging (Scott Geffert, The Metropolitan Museum of Art)

Hands-on Courses

SC08 OpenDICE for Imaging Quality Assessment (Lei He, Library of Congress)
SC09 Archival Negatives: A Novel Toolkit for Historically-accurate Inversions (Alice Plutino and Luca Armellin, Imageese)
SC10 Reference Assets-Bridging the Gap Between 2D and 3D Imaging (Scott Geffert, The Metropolitan Museum of Art)
SC12 Can/Should AI Do That? Heritage Digitization Use Cases for AI (Julie McVey, National Geographic Society, and Doug Peterson, Digital Transitions)
CANCELLED SC13 Digitizing Motion Picture Film (George Trumpy, NTNU)
SC14 Capturing Specularity with Kintsugi 3D and Camera-mounted Flash (Charles Walbridge, Minneapolis Institute of Art)

Demonstration Component

SC01 Camera Color Profiles: The Theory, Practice, and Pitfalls (David R. Wyble, Gray Sky Imaging Inc., and Doug Peterson, Digital Transitions Heritage)
CANCELLED SC03 Conservation Imaging for the Larger GLAM Community: A Crash Course (Adam Neese, The Museum of Modern Art)
CANCELLED SC06 The Fine Art of Documentation: Bridging Creative Lighting with Science (Tahnee Louise Cracchiola + Rebecca Truszkowski)
SC11 Advanced Concepts in Color Measurement (David R. Wyble, Gray Sky Imaging Inc.)

See below for the complete schedule of courses.

Courses by Time and Topic

All courses take place Tuesday 24 June.

Please note: There are morning and afternoon coffee breaks between the classes, starting at 10:30 and 16:00; lunch is on your own, 13:00 – 14:15.

8:45 – 10:45	11:00 –13:00	14:15 – 16:15	16:30 – 18:30
COLOR
SC01: NEW Camera Color Profiles: The Theory, Practice, and Pitfalls David R Wyble, Gray Sky Imaging Inc., and Doug Peterson, Digital Transitions Heritage		CANCELLED SC07: NEW Understanding, Measuring and Modelling Various Types of Color Degradation in Museum Collections: Fading, Darkening, Loss Irina Ciortan and Yoko Arteaga, NTNU	SC11: Advanced Concepts in Color Measurement David R Wyble, Gray Sky Imaging Inc.
MANAGEMENT
CANCELLED SC02: Contracting and Managing an Outsourced Digital Imaging Project Martina Hoffmann, Swiss National Library and David Walls, US Government Publishing Office		SC08: OpenDICE for Imaging Quality Assessment Lei He, Library of Congress	SC12: Can/Should AI Do That? Heritage Digitization Use Cases for AI Julie McVey, National Geographic Society and Doug Peterson, Digital Transitions
IMAGING: LIGHTING		DIGITIZATION: FILM / PHOTO
CANCELLED SC03: NEW Conservation Imaging for the Larger GLAM Community: A Crash Course Adam Neese, The Museum of Modern Art	SC05: NEW Advanced Digital Imaging Techniques Applied to Cultural Heritage Miguel Ángel Martínez Domingo, University of Granada	SC09: NEW Archival Negatives: A Novel Toolkit for Historically-accurate Inversions Alice Plutino and Luca Armellin, Imageese	CANCELLED SC13: Digitizing Motion Picture Film Giorgio Trumpy, NTNU
MANAGEMENT	IMAGING: LIGHTING	IMAGING : COMPUTATIONAL / 3D
SC04: NEW Imaging Performance: Meeting Guidelines for Digital Collections Peter Burns, Burns Digital Imaging, and Don Williams, Image Science Associates	CANCELLED SC06: NEW The Fine Art of Documentation: Bridging Creative Lighting with Science Tahnee L. Cracchiola and Rebecca Truszkowski, J. Paul Getty Trust	SC10 NEW Reference Assets-Bridging the Gap Between 2D and 3D Imaging Scott Geffert, The Metropolitan Museum of Art	SC14: Capturing Specularity with Kintsugi 3D and Camera-mounted Flash Charles Walbridge, Minneapolis Institute of Art

The Archiving Welcome Reception will be held from 19:00-20:30, following the short courses.
Location details will be provided to registrants.

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Short Course Fees

SHORT COURSE FEES Take 3 or more courses and receive 10% discount. Use Coupon Code "2025PICK3" at checkout.	Through 23 May			Starting 24 May
	Member	Non-member	Student	Member	Non-member	Student
2-hour courses	$195	$220	$65	$245	$ 270	$115
4-hour courses	$295	$320	$95	$345	$370	$145
Short Courses Only Choose this option if you will *only* be attending short courses (and not the technical sessions). Cost is the sum of all fees for the individual short courses you select.

Questions? [email protected].

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